Presented by Eastman Kodak, this show was a series of original scripts directed by acclaimed directors and featuring well-known performers. The stories ranged from musicals to comedies and dramas.

A documentary short film depicting the work of the motion picture director. An anonymous director is shown preparing the various aspects of a film for production, meeting with the writer and producer, approving wardrobe and set design, rehearsing scenes with the actors and camera crew, shooting the scenes, watching dailies, working with the editor and composer, and attending the first preview. Then a number of real directors are shown in archive footage (as well as a predominance of staged 'archive' footage) working with actors and crew.

On the verge of being shut down by his producer, adult film director Francois Grosex has one more day to make this shoot a success. Unfortunately, when he gets on the set, he sees that all hell has broken loose. Among other things, his female star (Julie Meadows) is threatening to walk, the make-up artist can't keep her hands out of the electrician's pants and the photographer is screwing everyone who lands in front of his lens. At the edge of a breakdown, Francois quickly realizes that he has his work cut out for him... and it's only 10 in the morning.

A documentary following a crazy insane director who puts his actors and assistants through hell as they try to create a web-series.

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A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

Playhouse is about a young married couple Patty and Marlon who are on the brink of calling it quits when an unexpected need to parent a godchild forces them to be together again.

A story of a group of friends wherein three boys fall in love with the same woman. Same story but through 4 views. "Because love ... is not one-sided."

A group of women are trafficked into a state-run brothel, operating as a totalitarian honeytrap to blackmail the rich and powerful. But when a crack in their confinement allows them to see beyond the shadows, the balance of power begins to shift. Vergessen: The Director’s Cut represents filmmaker Michael Fausti’s preferred vision for Vergessen. The film pays vivid homage to the provocative aesthetics of 1970s European arthouse cinema, echoing the dark, psychological tension of Liliana Cavani’s The Night Porter and the stylised subversion of Tinto Brass’s Salon Kitty.